Other items covered include the writing and recording process of Over The Top, Talking Metal, Dave Meniketti, Robert Fleischman, Ace Frehley, Chad Bryan, Dimebag Darrell, Dusk, Earache Records, ECW, Iron Maiden, Jake E. Lee, Jason Becker, Jimmy Page, Jon Leon, Kerry King, Kill Em All, Killswitch Engage, Kirk Hammett, Korpiklani, Lamb Of God, Led Zepplin, Les Paul Studio, Lynyrd Skynyrd, Marty Freidman, Metallica, Misfits, Motor City Pick Ups, Overloaded, Randy Rhodes, Regeneration, Slipknot, Steel Panther, Tyr, Viper Room, White Wizzard, Wyatt “Screamin Demon” Anderson, Yngwie Malsteen

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Let´s get to the issue at hand; I´ve had Over the Top since the beginning of this year, courtesy of the swell people over at Earache (Thanks Anthony!). The album has (in my opinion) lived up to all of my expectations, and surpassed them. For a long time bands have been worried about how fast they can play, how much they can growl, how many arpeggios they can fit into a given space, and have forgotten about composing good solid music. To their credit, White Wizzard has crafted nine stellar songs, with no weak links in the bunch. For those of you that have checked their MySpace page out, you´ve already been hearing the title track “Over the Top”, and “40 Deuces” for a while now. For those of you that aren´t familiar with the band or have only heard the EP, everything has been taken up a notch with the inclusion of (for the most part) a new band. If you like the Maiden/Priest influence of High Speed GTO, add some Saxon, Scorpions, High N Dry Era Def Leppard, and some Dave Mustaine like soloing to the mix. And don´t expect to find any ballads either. The album is full of infectious tracks, with melodies and choruses that just hook you in and stick in your head.

The album starts out with the title track (you´ve probably all seen the great video by now), and rips into the aforementioned “40 Dueces”. The song gallops along, and during its chorus Wyatt screams out the phrase “my metal heart will never die” (could this be an Accept reference?), a sentiment that a lot of us head bangers will forever hold. From here we get into “High Roller” which starts off with some dueling guitars that permeate throughout the track. A lot of Maiden flavoring going on during this track, you´ll find out that it´s a common theme that´s woven throughout the album. The next track is “Live Free or Die” it continues on the same route, with the infusion of a pre-chorus that is tailor made for Wacken, Download, etc., or any other festival, in the sense that it calls for everyone in the crowd to sing along with Wyatt. “Iron Goddess of Vengeance” starts out with some of the middle-eastern riffage made popular by Mustaine. Unlike most that try to play in this style, Erik Kluibert knows exactly how to give you exactly what´s called for, without going overboard. Said style then quickly shift to be more Maidenesque, in the sense of “To Tame A Land” or “Nomad” so as to fit the foundation Jon Leon is laying down with his bass. This band is all about paying homage to classic bands that have come before them, and as alluded to before the with Accept reference, there is a Slayer reference in this song as well. Not sure if that is done on purpose, or if it just fit. It sure does make you wonder though. “Iron Goddess” is the longest track on the album clocking in at a little over seven and a half minutes. “Out of Control” is next on deck; this song is a direct descendant of the Scorpion´s “Dynamite”. With this said, in no way is it a rip off of that song, however, the band is very keen on showing their influences throughout the album without blatantly ripping any one off, as many others have done before them. The song is shot full of that same energy that the classic Scorp´s song possess. The following songs are “Strike Of The Viper”, “Death Race”, they both are in the ilk of Saxon and Maiden. The latter recounts a Mad Max type race across the desert involving all types of weapons, while the former has another one of those choruses that will easily get stuck in your head. The regular album wraps up with the track “White Wizzard” which to me is easily the best track on the album. This is the second longest track on the album, and it takes a minute and a half for the lyrics to kick in. It is as most you probably suspect a recount of the Wizzard himself. This track mixes in all of the styles I´ve mentioned throughout this review, and brings them into the now. In doing so, it blatantly showcases each member´s prowess with their instruments. The version I purchased off of iTunes also has a cover of Cloven Hoof´s “Gates Of Gehenna”, and Judas Priest´s “Heading Out To The Highway” as you may guess are handled perfectly.

I would recommend this album to anyone that is into the New Wave Of British Heavy Metal, or just strait on metal in the vein of any of the bands mentioned above. Over the Top presents us an early reason to keep our metal hearts alive in 2010!

The episode also features the following songs:

Quite Riot with Randy Rhodes – Look In Any Window

Pantera with Kerry King – God Damn Electric

Overloaded – President’s Day

White Wizzard – Megalondon

Badlands – The River

Behind my banter you will hear tracks from White Wizzard, Overloaded, Misfits, Slash’s Snake Pit

Other topics covered include:

Quiet Riot The Randy Rhodes Years, Dimebag Darrell, Kerry King, Rex, Vinnie Paul, Anthrax, Stomp 442, We’ve Come For You All, ECW, Slash’s Snake Pit, Jake E. Lee, Ray Gillen, Killswitch Engage, Lamb Of God, Randy Rhodes, Metallica, Kirk Hammett, Jimmy Page, Led Zepplin, Kill Em All, Regeneration, Iron Maiden, Lynyrd Skynyrd, Deep Purple, Ritchie Blackmore, Yngwie Malsteen, Jason Becker, Marty Freidman, Steel Panther, Motor City Pick Ups, Les Paul Studio, Tyr, Korpiklani, Wyatt “Screamin Demon” Anderson, Earache Records, Slipknot, Ace Frehley, Viper Room, Steel Panther, Dusk, Jon Leon, Chad Bryan, Slash