This month’s Classic Albums Column focuses on Motley Crue‘s Shout At The Devil. Mars Attacks Podcast episode 56 features comments from Glen Drover, Gene Hoglan, Jon Schaffer, Alan Tecchio, Dave Reffett, author Martin Popoff, Mitch Lafon from Bravewords, Mark Strigl from Talking Metal, and John from Iron City Rocks. As we established with the previous podcast we also discuss why this album was selected. You will find the podcast at the bottom of this post.

Remember that you can go here index page to find out further details on everyone involved in the column.

Greg Prato – Shout At The Devil: The last album Motley Crue released that I can still somewhat stomach. They seemed to totally lose their minds after this album – bad glam metal, lame songs (“Girls Girls Girls”), idiotic behavior. Not a fan at all. But circa 1984, the Crue was one of my favs, and ‘Shout’ and ‘Too Fast’ were constantly being listened on my Sony Walkman. After that? No thank you.

Dave Starr – Don’t get me started…. Everyone had this record when it came out, but I always though these guys were way over rated.

Dan Lorenzo – Most bands first albums hit you the hardest. Shout At The Devil was Motley’s 2nd cd but it is STILL my favorite. I am not a fan of much of the Crue’s music that followed “Shout”. Yeah, each cd had a couple great songs, but Shout At The Devil is easily their best. And for some reason, other than Judas Priest, I’ve seen Motley more than any other band-because it was ALWAYS about more than just the music. Nikki Sixx has always described Motley Crue as a pseudo “punk” band. I worship Nikki…but have no clue what the hell he is talking about. I am in no means an expert on punk music….but I am pretty sure Motley has NOTHING to do with punk. Ok, so they stole the riff for “Ten Seconds To Love” from one of the best cds ever ( The Plasmatics Coup De E’tat), but this is glam metal with dropped tuning. The title track and “Bastard” are stunning. And I’m only slightly embarrassed to admit that “Too Young To Fall In Love” gets me EVERY time I hear it on Sirius/XMs “The Boneyard”. Pure pop genius. Mick Mars deserves so much more credit than he gets. As simple as Motley’s music sounds Mick has some tricky moves on this cd. Vince’s voice was already done by the time he left the studio after this…but I’ll still go see them every time they pass through NYC.

Jon Leon – Solid album. The Crue are an attitude band and sell a look. They are the KISS of the 80′s…they have not really aged well though with the material that followed this album. They have lost me over time. As a kid I would rock this one hard and it has some great hooks by Mick Mars who is one of the most under rated guitar players in metal. He really had a cool tone and vibe that made those first 2 crue albums hold up. I would say after this one I would not ever seek out a later release when I am buying vinyl, and I have no desire to see them live. I would have loved to have seen the 84 tour with OZZY though.

Metal Mike – Killer album. Shout At The Devil has modern Black Metal roots all over it whether people are aware if it or not. Songs rock and you are listening to a real band, raw in the studio as you see them on the streets. I miss that sometimes. Crue is bad ass.

Erik Kluiber – The first 2 albums were their best, and then some good radio hits afterwards. Too bad they couldn’t keep the fire.

Phil Rind – They’ve got the looks that kill!

Ricky Armellino – Motley Crue was a big inspiration to me. After watching some of their tv special I just looked at my guitar and was like “maybe hip hop would be a more fitting place for my ideologies”. I literally had rape fantasies about these mongrels.

Mitts – This is definitely the most metal record this band ever released. The pentagrams and occult theme were a little goofy, but the songs are classic.

James J. LaRue – I was into ‘metal’ as a kid, and I did not include Crue, Poison, Warrant, etc in my collection as they were too glam and not really virtuosos, but the hooks were just too catchy on this one and it won me over. Which means it’s damn good. People from all walks of life know these songs. When I see old footage from those days, Crue were obviously there early in that scene and their live shows at the time were insane. You could say it was very derivative of a Kiss show, but more evil and satanic with all the pentagrams. A way heavier image than the music called for. They were on fire, literally, back then.

Kevin Estrada -Motley was one of the local bands in Los Angeles that I was lucky enough to have followed since their beginnings. Too Fast For Love was a great set-up and showed that Motley Crue was a serious force to be reckoned with. But Shout At The Devil was the TNT they needed to explode. The writings were on the wall when Motley Crue performed at the US Festival in 1983 – they were up against major metal bands with huge followings (Judas Priest, Van Halen, Scorpions, Ozzy, etc) – and Motley Crue outperformed most of these bands, while at the same time blowing away the audience and locking in 200,000 new fans. The band’s song writing had matured greatly with Shout – songs like Knock ‘Em Dead Kid, Red Hot, Looks That Kill and Too Young To Fall In Love display this maturity. But overall, it was Motley Crue’s hunger for success that wrote that album and broke that band. It was Magic and all the pieces were there.

Scott LePage – This album came out around the time I started playing covers in my first real band. Of course we covered Red Hot and Shout at the Devil. Great heavy driving songs. Probably one of the only “hair band” albums that I got into.

Jim Florentine – My fav Crue album

Gonzalo Leiva – I first heard of the band when Girls, Girls, Girls came out, at the time I went back and discovered their previous album (Theater Of Pain), and they instantly became one of my favorite bands. Shout At The Devil was even better, with its raw sound, and solid songs that fit really well with the band. Also, tracks like the intro In The Beginning and God Bless The Children Of The Beast give the album a special atmospheric touch. My favorite tracks on the album are Red Hot, Too Young To Fall In Love, Shout At The Devil, Danger (among others), also their cover of Helter Skelter is pretty good as well.

Sean Bryant – Oh, wow. While I as in grade school this album came out. We had to write a story in class and mine started out with walking up to a friends house and hearing the opening track “in the beginning”. In the story I remember how cool and frightening I wanted to make it feel. I really don’t think the teachers and the kids, in a SLC class really appreciated how dark my story was. That is all I remember to the story. So it goes.

Will Carroll – The last great Crue album which is kinda sad considering its only their second. This album was my soundtrack for 1984. They took KISS and added fake Satanism and buckets upon buckets of sleaze and I ate it up. Mick Mars’ guitar tone makes this album and let’s face it, at the time nobody looked cooler.

Steve Smyth – I was big on Crue for the first 2 albums, and this one to me defined them in many ways. Their sound was much tighter, and the songs were strong. Red Hot, Bastard, Danger and Shout stood out to me as strong songs, and showed the writing strength of the band, as well as chops of Tommy Lee and Mick Mars.

David Ellefson – In some ways Motley played up the Satanic image more than most and the mainstream bought it. This album was just heavy enough to be loved by the metal heads and just mainstream enough to loved by all.

Chad Bowar – The Crue’s second album saw them refining their sleazy Sunset Strip glam metal, although the sound was still pretty raw. “Looks That Kill,” “Too Young To Fall In Love” and the title track were successful singles, and they also did a cover version of the Beatles’ “Helter Skelter.” Commercially it also did rather well, peaking at number 17 on the album chart. It symbolized the sex, drugs and rock ‘n roll vibe that the ’80s were all about.

Shawn Duncan – I enjoyed this CD when it came out. Motley Crue mixed Metal with glam rock and nailed it. From Shout at the Devil to Looks that Kill this album opened the door for an entire genera of music! You cannot deny the impact of this record.

Jason Bittner – Shout at the Devil was the best album by Motley hands down! At the time they kicked ass, I loved this record, and I was a big Tommy Lee fan when I was a kid (it was 1984 and I hadn’t discovered thrash just yet) of course years later when I met the guy, it was such a letdown that I can sum it up in one word…. A great art rock band from the 90′s – TOOL!!!!!

Scott Thompson – When someone mentions Shout At The Devil my mind always goes back to 1983 practicing in the garage and jamming on the title track. Our guitarist at the time happened to also be a very busy coke dealer and would invariably be late for practice…in his garage. There was this always eager Tommy Lee wanna be that lived next door and would take the opportunity to come over and try to sit in. So I would take the guitar, the drummer would take bass and “Tommy Junior” would hop on the kit. Problem was he only knew the opening part so the whole thing would be him playing that part accompanied by Tommy inspired stick twirls. As pointless as it was it did provide some humor while we waited for the guitarist to show up.
Sadly I don’t think that kid ever had the innate sense to explore the rest of the album. That boy missed a aural feast. This was a still hungry Crue with all the swagger of “Too Fast” but having the benefit of a better budget and some nicely gelling song writing chops.

Let’s start with the cover, I bought this bad boy on vinyl and that black cover with the pentagram was not be ignored. I will admit that a few months later I was also lured into buying the picture disc of Helter Skelter. Most people bought that disc because it was at the time their only way to hear the Leathur Records mixes of a two songs off of “Fast”. That wasn’t the appeal to me since I already owned the original Leathur version. I bought it on the strength of the tunes on “Shout”. I was just caught in the momentum.

To this day the tunes from this album continue to be the cornerstone of any Crue show. It’s almost guaranteed that they are going to play Looks That Kill , the title track, and at least one more. Even though Vince’s voice ain’t what it used to be these tunes always rock balls live.

No matter what else they release I think this album will remain the blueprint of what is considered the Cure sound. Even the title track from their latest release harkens back to “Ten Seconds ‘Till Love”.

There will always be the contingent that will say the Dr. Feelgood is their definitive release but for those of us who bought this own when it first came out, there’s no other Crue release that will ever come close.

Kirk Windstein – Shout At The Devile had a huge impact on me…at the time it came out, I already had Too Fast For Love. S.A.T.D. was much more abrasive sounding, and also took their look a few steps further!

The songs are very strong, and this record, in my opinion, encompasses everything Motley Crue are. It’s the perfect “Cure” record, and the last to still feature their “fuck the world” punk side! I give it 10/10 for sure…a record I never turn off when it’s playing!!!

Jorge Salan – They’re a great rock band, the issue I have is that they have some hits that I can’t profess to really liking, the chick thing, the being on the beach thing, is sort of on a different wave from where I’m at. That said, once Bob Rock got a hold of them things went to a different level, especially a song like Kick Start My Heart, which is such a great song, or something like Sticky Sweet, all of those songs, and actually that album (Dr. Feelgood) is more of my thing.

Domonic Rini – 1983, in my eyes the strongest push for thrash and the evolution of the big hair days. MC grabbed a record deal with Elektra and put this release out with Producer Tom Werman. It really showed in the production that this band could take their music to new levels and really make them musicians. Shout At The Devil really hit a chord in peoples heads and the youth ate it up. With an evil surrounding feel to this release they were able to really pull it off.

Doug Gibson – “Shout At The Devil” is classic Crue at their best. Not only does the album still stand the test of time, but it’s the best defense against the haters who try to lump the Crue in with lighter hair bands and claim they’re not metal.

The podcast portion can be streamed or downloaded from here:

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This month’s Classic Albums Column focuses on Judas Priest‘s Painkiller. Mars Attacks Podcast episode 54 features comments from Doro Pesch, Glen Drover, Gene Hoglan, Jon Schaffer, Alan Tecchio, Dave Reffett, author Martin Popoff, Mitch Lafon from Bravewords, Mark Strigl from Talking Metal, Anirudd “Andrew” Bansal from Metal Assault, and John from Iron City Rocks. As we established with the previous podcast we also discuss why this album was selected. You will find the podcast at the bottom of this post.

Remember that you can go here index page to find out further details on everyone involved in the column.

Ron “Bumblefoot” Thal – I’m a long-time fan of Priest, going back to Rocka Rolla and Sad Wings, they were cool, bluesy, but also melodic and composed, harmonies everywhere, such a great band. From there they got heavier and more intense with each album. They really ripped your head off at moments with Painkiller.

Greg Prato – Painkiller: Although not my all-time fav Priest album (a two-way tie between ‘British Steel’ and ‘Screaming for Vengeance’), it was a great to see the Priest return full-on with ‘Painkiller,’ after a few missteps during the late 1980′s. Rob Halford’s vocal performance throughout the album showed once and for all that he is unquestionably one of metal’s greatest singers (I’d say he and Ronnie James Dio are at the top of my list).

Dave Starr – I love JP, but this is not one of my favorite CD’s from them. I do love several tracks though: “Hammer and the Anvil”, “A Touch of Evil”, and “Hell Patrol”.

Dan Lorenzo – When I was a in high school my favorite bands were Kiss, Cheap Trick, AC/DC and Aerosmith. By the end of high school Kiss was getting cheesy and I discovered Judas Priest. I’ve seen Priest live more than any other band. I saw them as recently as two weeks ago. I even saw them twice with Ripper. Right before Painkiller came out I was “over” Priest. The song “You’ve Got Another Thing Comin” kinda ruined the whole vibe for me. It’s not even a bad song and I LOVE the rest of that cd. But moms now “liked” Judas Priest and I was getting more into Slayer etc. I’ll never forget the first time I heard the title track from Painkiller. I was working on writing the early NON-FICTION material and I thought I knew what was cool and what was not. Dave Holland’s weak drumming was gone and a monster named Scott Travis was now on the throne. Damn. Glenn/KK/Rob, Ian…you got me again. Painkiller is kick ass. I even love the more commercial “Touch of Evil.”. Priest were back on the right track and they have stayed that way. I’ll always cite “Hell Bent For Leather” as my favorite…but Painkiller was a very welcome surprise and a return to form.

Peter Ellis – My favourite Priest album and in my opinion the very best album they ever made. By the time Painkiller came out both KK and Glen Tipton had really matured as guitarists and had started introducing lots of different sounds and new elements to the band’s music and of course this album features some of the very best performances in Rob Halfords storied career too. Also the addition of Scott Travis on the drums proved to be one of the best decisions the band’s ever made and personally I wish they’d done this a lot earlier as I think that Travis sounds like the natural successor to Les Binks and I’ve always believed that bringing Dave Holland in held the band back and put limitations to their style that wouldn’t be there with a more competent drummer.

Jon Leon – Judas Priest gave everyone what they wanted with this album. Scott Travis on drums along with the thrash movement inspired a new direction. It is classic priest but heavy as hell and at a million miles an hour. No Parental Guidance type songs here. Less catchy and more balls out. It was the exclamation point that rounded out and finalized the legacy of the great Judas Priest. I saw the tour as a little kid and they opened with Hell Bent for Leather -it was insane.

Metal Mike – I love this record. It set a blueprint for some many other bands to follow. Bands are still trying to rewrite Painkiller every year, but we all know that there is only one Metal God.

Erik Kluiber – Saw this tour with Megadeth and Testament. Unfortunately, my neighbors who gave me the ride hated priest and forced me to leave once they took the stage.

Ricky Armellino – Always loved the Priest. Just never a reason not to listen to them, ever. Unless you need a break to listen to Dio but you could always just do what I did and play both simultaneously.

Mitts – Judas Priest meets double-bass. The cornerstone heavy metal band added a much needed dose of modern drumming to their sound. Great riffs, too. A punch in the face record, redemption for the band that made “Turbo”.

Chris Tsangarides – What can I say about a record that I made without sounding like a complete ego maniac! But this record is one that I am very proud of on many levels. I was in 7th heaven during this project. It is one of the most cohesive and focused Heavy Metal albums in my humble opinion of all time. We set out with the objective of making a great recording and that’s how it came out. It is so hard to get clarity in the sound when the tempos are so fast but because of the great arrangements between the instrumentation we managed to achieve this. It also inspired a whole slew of bands to carry on in that tradition of Power/Speed Metal.

Raul Galvan – This album along with some of Manowar’s work is what I consider to be the top of the mountain for heavy metal.

JL – Another classic, from one of those bars that oozes smoke, alcohol and metal. Tipton and Downings had their axes sharpened like knives, but nothing cut through more than Halford’s voice. From the album cover, to the song titles, there is nothing more metal than this album, not even if the sky opened up and a downpour of knives ensued!

Gonzalo Leiva – A very powerful album, the opening track makes you say wow after the first listen. The rest of the album is also good, containing some very heavy and technical drumming from Scott Travis. Painkiller is a punishing track, but you also have tracks like Nightcrawler, Between The Hammer And The Anvil, A Touch Of Evil, and Hell Patrol (just to name a few). These tracks make this album a must have for any rock or metal fans.

David Lozano – One of my all time favorite albums, I think it is of utter importance that it finds its way into any metal fan’s album collection. I still think this album is a head of its time, case in point, I still hear bands implementing things in their music that Priest did on this album.

Sean Bryant – I had seen quite a few Priest concerts growing up. One I remember mostly was during Turbo Lover Tour. Bunch of friends and I went to the Salt Palace in SLC. This was the first time I had heard a band blowing the power at a large venue. I always looked forward to him driving his motorcycle out onto the stage. With this album in particular, the only thing that comes to mind is when drinking at the Anchored Inn and Shana from Bad Dream ran down the stairs while she was dj’ing. She insisted that we do shots throughout the song!! Needless to say, my pain was killed that night and many after that.

Will Carroll – A very important album. Not only for JP but also for Heavy Metal in general. It extended the lifeline of metal for a few more years until metal was nearly wiped away in the early/mid nineties. A favorite JP album for many and I can totally see why. My favorite is Sin After Sin.

Steve Smyth – Oh HELL yeah! The mighty Priest delivered the goods after a disappointing few previous records. I loved it when Scott Travis joined them, and Glenn and KK got up some new chops, as Halford delivered the goods in songs like All Guns Blazing, Nightcrawler, Hell Patrol, Leather Rebel, and the title track! One of my favorites from the mighty Priest!

Jon Bodan – This was the album that got me into Priest, before that I had come up on some glam like Skid Row and from that got into bands like Metallica and Testament. So I heard these guys on a compilation CD and was like “where have I been”? Halcyon Way used to tease the song “Painkiller” at the end of our set but we could never be bothered to learn the whole thing, haha. But the best story with this is that one time I was with our old singer Sean at this Korean karaoke bar, and all these people were singing these Korean pop ballads….so I went over and signed him up to do “Painkiller”. It was hysterical, everyone there was like “What the hell????” Classic.

Domonic Rini – Rob Halford really shows his vocal prowess in this effort. Some of his greatest tones on any Priest albums are found in this one. I think with Painkiller, Judas Priest was really trying to see how metal they can be and it really shows.

Shawn Duncan – Awesome, Love Painkiller!

Wayne Findlay – Painkiller…Wow, what a killer intro with Scott Travis at his best.
I was blown away when I found out he got the drummer position for Priest. He was great in Racer-X and when he joined Priest, it took them in a whole new direction. This album just brought it to a whole new level for Priest.

Tim Ripper Owens – Great cd. Really brought the Priest back to form, and that was with a lot of help from Scott Travis. WOW, he was just amazing and gave them the spark they needed! But everyone was on their Game. Amazing guitar playing, Bass playing and Singing!! P A I N!!!!!!

Jason Bittner – Priest’s best album hands down- the guitar work got amazingly better from Ram it Down to PK!! Obviously the BIGGEST improvement was adding the mighty Scott Travis to the band! I got PK on tape for Xmas in 1991, and refused to leave my basement that day for family affairs until I had that intro learned and down!! And I succeeded too!! Many many years later Scott and I are friends and I actually bought his old kick drum road case off him back in 2004- he still asks me about it, and yes I still have it- gonna be sad to see this band actually say “farewell”. Priest rules!!

Anthony Esposito – Monster cd,
hello Scott Travis……from the opening sound making his arrival noted. He is a monster drummer. We played a show with them in Los Angeles right after this (album) was released.
At soundcheck, while Priest was up onstage George quietly turned to me and said “Ant, we are gettin blown away tonight.” The title cut and A Touch Of Evil are my favorites (on the album). Rob’s voice is amazing as usual.

Kirk Windstein – It was a welcomed surprise after the disappointing RAM IT DOWN record. PAINKILLER is an over the top, pure metal masterpiece! Great riffs, solos, and of course, vocals. Halford earns a 10 out of 10 for his work! Actually, all the members do, and the addition of Scott Travis was the icing on the cake. In my opinion it should have been the follow up to DEFENDERS…Judas Priest (The Best Heavy Metal Band Ever), were at their finest on this classic! Thanks for the Metal, Gentlemen!!!

Jose Izquierdo – I discovered Judas Priest with this album. I mean I had heard songs, but I really didn’t know people that where in tune with the band, and could hook me up with a tape of their songs. There wasn’t really a radio station in Albacete (Spain) that played Judas Priest either. Someone gave me a copy of the album, and of course after that I started really looking into their music.

David G. Alvarez – I remember seeing Painkiller, Jugulator, and a video compliation, I believe it was called Metalworks, I don’t exactly remember. But and then saw images in Rockarolla, and thought to myself, I think I bought the wrong tape. I saw that hats, and everything else they were wearing and though it was something else. My favorite track off of the album is Metal Meltdown, it’s obvious they made a serious changes to their sound, especially with the guitars. They changed from very melodic playing to sweep picking, and they returned with their own proper sound. Scott Travis also gave a big push to the band, a lot of energy.

Jorge Salan – I really like this album, but I have to say that Stained Class is my favorite album by the band. A track like Exciter is one of those that really inspired me, it’s a classic. I think the redone version from Hero Hero, I don’t remember if it was a compilation, or if it was all new tracks, but it had Victim of Changes, which I think is just ridiculously good. I really like Painkiller, but I’ll stick with those two I mentioned.

Militia – A great album through and through! Killer songs loaded with all the best elements of

Priest:

Halford’s vocal performance is enthralling- an uncanny balance of raw aggression and operatic precision. Lyrics that are borderline Shakespearian. Artwork, imagery and storytelling of creatures and monsters that create its own heavy metal mythological world. Guitar tones and riffs that singe your fuckin ears. Drums that relentlessly beat your brain into a bloody pulp. And that signature Priest groove that keeps it all together is so addictive…

Some of my favorite Priest songs are on here: Hell Patrol, Nightcrawler, Metal Meltdown, Between the Hammer and the Anvil and the ultimate metal anthem as well as one of my favorite songs to sing- the PAAAAINKILLAAAAH!

Chris Howorth – This is such an incredible album, and its arguably the heaviest priest album of all time! The title track pretty much sums the whole thing up, starting with Scott Travis ripping drum intro and non stop double bass, and Tipton and Downing turned the gain knob to ten and shredded their asses off from start to finish, I always loved Judas Priest but this album got brownie points for being extra heavy right at the time when grunge and all that crap was getting popular. This album is a lesson in real metal, pay attention all you trend following scene metal bands!

Remember that you can go here index page to find out further details on everyone involved in the column.

The podcast portion can be streamed or downloaded from here:

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Scott LePage – Guitarist of The Freeze Tag Assassins and Hades
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Dan Lorenzo – Guitarist of Hades, Non-Fiction and The Cursed
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David Lozano – Guitarist of Propaganda
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Big Mario – Lead singer of Hell’s Fire
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Scott Middleton – Guitarist of Cancer Bats
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Militia – Lead vocalist for Judas Priestess and Swear On Your Life
Official Judas Priestess Web Site
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Mitts – Guitarist of Madball
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Vince Neilstein – Editor In Chief Metal Sucks
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John Nymann – Guitarist of Y&T
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Tim “Ripper” Owens – Lead Singer of Charred Walls Of The Damned, Beyond Fear, Dio’s Disciples and Yngwie Malmsteen, formerly of Judas Priest and Iced Earth
Official Web Site
Official Ripper Owens’ Taphouse Web Site
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Mikey Pannone – Drummer of Benedictum
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Ted Parsons – Drummer of Necessary, Jesu and Teledubnosis formerly of Prong
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Teledubnosis Official Web Site

Dani Perez – Drummer of Khael formerly of Skizoo, Saratoga, and Stravaganzza
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Doro Pesch – Lead singer of Doro
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Ken Pierce – Editor In Chief of Piercing Metal
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Official Blog
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Chris Poland – Guitarist of Ohm and Ohmphrey formerly of Damn The Machine and Megadeth
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Martin Popoff – Writer / Author
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Pest – Lead singer for Gorgoroth
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Greg Prato – Writer / Author
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UGO
LuLu Store Front
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Aquiles Priester – Drummer of Hangar formerly of Angra
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Domonic Rini – Program Director And Host of Maximum Threshold Radio
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Dave Reffett – Guitarist and lead singer for Shredding The Envelope
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Phil Rind – Lead singer and bass player of Sacred Reich
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Etan Rosenbloom – Writer / Author for Decibel Magazine, MetalSucks.net
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Richard Royuela – Back Ground Noise Artist Rep and writer for Rock Hard Magazine
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Angel Rubin – Lead singer of La Hermandad formerly of Agdar
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Jorge Salan – Guitarist for Jeff Scott Soto, his solo band Jorge Salan and formerly of Mago De Oz
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Brian Saunders
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Jessie Sanchez – Bassist of Bonded By Blood
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Ron Scalzo – producer, lead singer and keyboard player of Return To Earth and Q*Ball
Metal Blade
Return To Earth Official Web Site
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Jaye Schwarzer – Bass player of Cancer Bats
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Chris Shrum – Bassist of Benedictum
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Steve Smyth – Guitarist of Forbidden, Sweet Leaf, Firehead and The EssenEss Project formerly of Nevermore, Vicious Rumors, Dragonlord and Testament
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Official Forbidden Web Site
Official The EssenEss Project Web Site
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Dave Starr – Guitarist/Bass Player Wildestarr formerly of Vicious Rumors
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Mark Strigl – Host/Co-host of Talking Metal, Talking Rock and The Mark Strigl Show
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Jandro Storm – Drummer of Storms To Come
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Karl “Inski” Szulik – Guitarist of Divine Ascension
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Alan Tecchio – Lead singer of Autumn Hour, Hades, Non-Fiction formerly of Watchtower and Seven Witches
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Ron “Bumblefoot” Thal – Guitarist of Guns N Roses and of his own band Bumblefoot
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Seth Thacker – Guitarist of Straight Line Stitch
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Scott Thompson – Co-Host of Focus On Metal
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Chris Tsangarides – Writer / Producer / Engineer / Mixer
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Victor Valera – Drummer of Angelus Apatrida
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Tommy Victor – Guitarist/Lead Singer of Prong, Guitarist of Danzig and Ministry formerly of Rob Zombie
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Luke Wenczel – Drummer of Divine Ascension
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Owain Williams – Guitarist for Xerath
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Kirk Windstein – Guitarist and lead singer of Crowbar, guitarist of Down and Kingdom Of Sorrow
Official Crowbar Web Site
Official Down Web Site
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Facebook Kingdom Of Sorrow
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MySpace Down
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Clay Winthrow – Guitarist of Vangough
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Vangough MySpace

Steve Zing – Bassist of Danzig and lead singer of Marra’s Drug formerly of Samhain, Son Of Sam and The Undead
Official Web Site
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Here is the playlist for episode 31, all of these songs were released in 1992, or songs with asterisks next to them depict groups that had breakups or important member changes that year.

Kiss – Unholy
Iron Maiden – Fear Of The Dark
Lynch Mob – Tangled In Your Web
Vince Neil – Look In Her Eyes*
Motley Crue – Uncle Jack*
Ratt – Nobody Rides For Free*
Exodus – Bitch*
Pantera – Fucking Hostile
Tool – Part Of Me
Bad Religion – Generator
Alice In Chains – Got Me Wrong
Testament – Electric Crown
W.A.S.P. – Chainsaw Charlie
Black Sabbath – Computer God
Ministry – Just One Fix
Beastie Boys – Time For Living
King’s X – Black Flag
Manic Street Preachers – Slash & Burn
Faith No More – Be Aggressive
Def Leppard – Tear It Down
Biohazard – Punishment
Body Count – Bowels Of The Devil
Rage Against The Machine – Know Your Enemy
AC/DC – That’s The Way I Wanna Rock N Roll
The Offspring – Kick Him When He’s Down
Manowar – Metal Warriors
Warrant – Inside Out
Ugly Kid Joe – Goddamn Devil
Nine Inch Nails – Gave Up
Suicidal Tendencies, Monopoly On Sorrow
Kyuss – Green Machine
Megadeth – Foreclosure Of A Dream
Dream Theater – Take The Time
Motorhead – Ain’t No Nice Guy
Fear Factory – Martyr
Extreme – Warheads
White Zombie – Black Sunshine

Have you ever listened to a song and instantly been taken to a certain time period in your life? Well that’s what this episode is all about. It also helps further the fact that hard rock and metal were alive and well in the 90s, and that the decade offered a lot of great music. This episode is centered exclusively around songs that came out that year, or tied to events that took place in 92. You’ll hear tracks from the following bands:

Kiss, Iron Maiden, Lynch Mob, Vince Neil, Motley Crue, Ratt, Exodus, Pantera, Tool, Bad Religion, Alice In Chains, Testament, W.A.S.P., Black Sabbath, Ministry, Beastie Boys, King’s X, Manic Street Preachers, Faith No More, Def Leppard, Biohazard, Body Count, Rage Against The Machine, AC/DC, The Offspring, Manowar, Warrant, Ugly Kid Joe, Nine Inch Nails, Suicidal Tendencies, Kyuss, Megadeth, Dream Theater, Motorhead, Fear Factory, Extreme and White Zombie.

Episode debuts tonight 8PM EST / 5PM PST exclusively on MarkStriglRadio.com

This episode is a special joint release between Mars Attacks and Talking Metal. I touch upon this during the episode mentioning that it was put together as a tribute to Pete Steele. We deliberated at great length regarding this as it wasn’t the original intention. If you listen to Episode 306 of Talking Metal you will find part of the Mars Attacks live show I did with John and Mark last month while in the states. That episode contains an interview we conducted with Anthony Esposito from Ace Frehley, Lynch Mob fame. The next episode of Talking Metal, and Mars Attacks for that matter, was supposed to contain the first half of the live show. During this segment Mark and I interview Joey Z from Life of Agony, Stereomud, and Carnivore.

Joey was nice enough to come down to the studio, and sit in with us. He came in early, and sat on the couch while Mark, John and I did our opening monologue if you will. During the podcast you’ll hear me reference a few songs, one by Warrior Soul, and another by Slash. We spoke to Joey off mic while these songs where playing, immediately he started talking about Pete Steele. He mentioned what an honor it was to be asked to play with Carnivore, and he also spoke about how funny, and quick witted Pete was. He said Pete could come up with things right on the spot, and could roll with the punches during any given situation. I mentioned this during the Dan Lorenzo segment. He also started talking about what good man Pete was, which seems to be a common theme with all of the comments that are being posted on the web. Unfortunately this was off mic, and we had so many things to talk about (we spoke almost twice as long as we originally intended), we never really got into Pete or Carnivore on mic, except for a quick mention by Joey. Due to this, I have included part of his previous interview where he talks exclusively about Carnivore.

Joey is a great guy, who will always have an open door on any of my shows. I a big fan of his music, and have come to learn what a genuine, and nice person he truly is. He was the first person I turned to when I heard the rumor of Pete’s passing. He spoke so genuinely about Pete; it was hard not to think of him when I started reading the posts on the web. During the episode I read an excerpt of the response he sent me.

The reason I included Dan was because I read his comments on Blabbermouth.net. I reached out to a bunch of different people from the NY/NJ music scene to see if anyone might be interested in providing me with a statement regarding Pete. People treat death in different manners, I know for a lot of people this has to be a difficult situation. As a result, it would be foolish for me to be upset over people not wanting to partake. Maybe the situation is difficult for them, other are on tour, and couldn’t come on with such short notice, etc. In any event, Dan immediately came forward to share stories, and help celebrate the memory of Pete.

There are no ulterior motives here, like so many others out there we just want to celebrate the life of Pete Steele. By putting this episode together, I feel that we are doing our part to pay homage to the man, and his music. I’m sure some will say that we’re doing this to ride the publicity surrounding his untimely death, but it can’t be farther from the truth. Mark and I spoke at great lengths yesterday deliberating over whether we should release this episode now, or wait a few months. I personally think that we’re doing the right thing by releasing the interview in the format we have chosen. As a fan, I don’t want someone’s memory or music to ever die. I truly believe that both Joey and Dan have helped us to do this by sharing their thoughts, and experience with Pete.

Over the course of the next few weeks/months we’ll start to hear about Pete, hopefully all good things, but I’m sure some bad will come out as well. All I can say is remember him for what he meant to you, and don’t let others sway your judgment.

I’ll close this in the same fashion that I closed the podcast, long live the memory and music of Pete Steele.

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Mars Attacks first ever live show will take place tonight. Guests on the show will be Joey Z from Life of Agony, Anthony Esposito from Lynch Mob/Ace Frehley, and Mark & John from Talking Metal.

The show will air at a special time 7PM EST / 4PM PST / 1PM PST exclusively on MarkStriglRadio.com

Had the pleasure of interviewing Ivy and Tara from Kittie last night at BB Kings in NYC. I had interviewed Mercedes from the band right at the end of last year. I have to say that her interview was one of my favorites, as we talked for close to an hour, although about half of that was edited out. Although this interview originally aired back in January, I do intend on releasing both of the interviews together as a podcast during the course of the next few weeks. This was the first time I have caught the band, and they did not disappoint. They played fifteen songs total, you can tell that they are extremely happy with their last album In The Black, as they played six songs off of the album. During the interview Ivy and Tara confirmed that Kittie will indeed be touring with Insane Clown Posse.

Opening for the band was God Forbid, this was my second time seeing them, as I had seen them at the Kobetasonik festival in Spain last June. For those of you keeping score I interviewed guitarist Doc Coyle back in November. At the time things were somewhat in limbo with the band, they were looking for new management, a new label, and working a new guitarist into the fold (Matt Wicklund, who I saw back stage). Byron announced during the show that they were recording a new album which should be out at some point during this year. The set list focused on Earthsblood and IV: Constitution of Treason. Aside from songs off of their previous two releases, they played Pantera’s Mouth For War during their set. After their show I had Doc right behind me sporting a Metal Sucks t-shirt, he was watching Kittie’s show and had someone with him at the time. I didn’t see it prudent to walk up to him and bug him, in any event, will be posting his interview shortly as well.

Opening act was Gwen Stacy, unfortunately, didn’t get to catch much of their show, although they did sound great as well.

Thanks to Bill from E1 for making everything happen.

Tomorrow night’s Mars Attacks will go live, I will have interviews with Joey Z from Life Of Agony/Steromud/Carnivore, Anthony Esposito from Ace Frehley/Lynch Mob, and Mark & John from Talking Metal. This is my second go round with Joey; the last time we spoke was right before L.O.A. went out and did the shows in Jersey and NYC commemorating the twenty year anniversary of the band. The podcast version of the interview is available here:

http://marsattacksradio.com/2010/03/audio/podcast-episode-2-life-of-agonys-joey-z/

The show starts at 7PM EST / 4PM PST exclusively on MarkStriglRadio.com